This building was established by Sultan al-Ashraf Abu al-Nasr Qaitbay al-Jarksi of Mamluk. It has left seventy traces inscribed with its name in Egypt, the Levant and the Hijaz, including the Qaitbay mosque and school, which is considered the most accurate and arched example of the architecture of the ninth century AH and the fifteenth century AD, where it shows the extent of progress achieved by architecture in the Mamluk era. And the scenes of this mosque has only admiration for the beauty of the inscription and the decoration of the decorations and did not include the mosque only a shrine, but included a path and a school, and the architect coordinated all these different functions in the system engineering wonderful distribution distributed to the mosque splendor and charming beauty while retaining unity in design came school and avenue and entrance The mosque to the left of the façade is decorated with engraved stones and stones.
The mosque was built along the lines of the orthogonal planning schools. It consists of a roofed courtyard with a shakshkih middle and a four-quarter view of four successive ions. The designer took care of where the qibla Iwan was the largest of the ions followed by the Iwan in the west. White and red stone in a magnificent decorative system. Then the three ions were covered with wooden ceilings covered with gold and almonds. The qibla Iwan is distinguished by its colored walls, with colored marble panels. It overlooks the hall with a tapered contract, which is based on the Haraman of Muqarnas. The qibla Iwan is divided into three middle arches. The ceiling is decorated with beautiful gilded decoration and the center of the Iwan is a semi-circular niche, free of decoration, It is preceded by a knotted knob with the same contract and mounted on two poles with two crowns and hieroglyphs. The energy was operated in the form of triangular plant paper. On the right of the mihrab there is a wooden platform with two entrances on each side, each with a tapered contract. Each mantel is topped with a circular lathe. The mihrab is surrounded by a circular mantle and the wooden euphonic roof is made up of a grotto, The triangular plant leaf body. The Iwan produces three entrances with a tapered contract at the end of each window. The window is covered with two wooden shutters.
The two sides of the contract supervise the central area through two wooden poles, each with two expressional vaults. The two sides of the two sides contain wall vaults topped by rectangular domes overlooking the role of the hall through a tapered contract,
As the mosque also includes a shrine, the perfection and creativity in the beautification of the qibla Iwan was exemplified by the creativity and mastery of the mausoleum whose walls were decorated with colored marble. The mausoleums of the mausoleum were adorned with exquisite engravings in the necks of windows that were filled with stained glass. Our magnificent windows are art and creative with golden engravings.
Although the constitutive text refers to the building as a school, the document has defined its function as a khokka (a place of habitation) as well as a mosque.
This construction moves us from a new, vibrant and cheerful character like a world of fantasy in which the bright colors of magic and agility dance and we can only study the creations left by these artists.
The mosque was built along the lines of the orthogonal planning schools. It consists of a roofed courtyard with a shakshkih middle and a four-quarter view of four successive ions. The designer took care of where the qibla Iwan was the largest of the ions followed by the Iwan in the west. White and red stone in a magnificent decorative system. Then the three ions were covered with wooden ceilings covered with gold and almonds. The qibla Iwan is distinguished by its colored walls, with colored marble panels. It overlooks the hall with a tapered contract, which is based on the Haraman of Muqarnas. The qibla Iwan is divided into three middle arches. The ceiling is decorated with beautiful gilded decoration and the center of the Iwan is a semi-circular niche, free of decoration, It is preceded by a knotted knob with the same contract and mounted on two poles with two crowns and hieroglyphs. The energy was operated in the form of triangular plant paper. On the right of the mihrab there is a wooden platform with two entrances on each side, each with a tapered contract. Each mantel is topped with a circular lathe. The mihrab is surrounded by a circular mantle and the wooden euphonic roof is made up of a grotto, The triangular plant leaf body. The Iwan produces three entrances with a tapered contract at the end of each window. The window is covered with two wooden shutters.
The two sides of the contract supervise the central area through two wooden poles, each with two expressional vaults. The two sides of the two sides contain wall vaults topped by rectangular domes overlooking the role of the hall through a tapered contract,
As the mosque also includes a shrine, the perfection and creativity in the beautification of the qibla Iwan was exemplified by the creativity and mastery of the mausoleum whose walls were decorated with colored marble. The mausoleums of the mausoleum were adorned with exquisite engravings in the necks of windows that were filled with stained glass. Our magnificent windows are art and creative with golden engravings.
Although the constitutive text refers to the building as a school, the document has defined its function as a khokka (a place of habitation) as well as a mosque.
This construction moves us from a new, vibrant and cheerful character like a world of fantasy in which the bright colors of magic and agility dance and we can only study the creations left by these artists.
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